Chalkhills Digest, Volume 11, Number 44 Tuesday, 16 August 2005 Topics: Shriekback! I'm Going to Disney Land Axis Mundi Re: Axis Mundi Great Listening XTC DVD? Fuck Art, Let's Dance Uffington Horse Curiosity Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: <http://chalkhills.org/> The views expressed herein are those of the individual authors. Chalkhills is compiled with Digest 3.8c (John Relph <relph@tmbg.org>). My the world looks good from where you paint from!
---------------------------------------------------------------------- Date: Thu, 11 Aug 2005 15:39:58 -0700 (PDT) From: Dane Bramage <bramage64@yahoo.com> Subject: Shriekback! Message-ID: <20050811223958.14914.qmail@web51008.mail.yahoo.com> Haven't posted to this forum in an age and not quite sure if anyone has previously posted this, but what the hell, here it goes. Was having a nice swim in the internet when I discovered on the Shriekback news page (http://www.shriekback.com/site.htm) a nice tidbit regarding our esteemed Andy playing on a track or more for their upcoming album. Says Barry on the track listing: "REASON WITH THE BEAST: short sharp meditation on that time honoured Shriekback theme - managing ones baser impulses. Featuring as do quite a few of the others - gasp - Andy Partridge (he volunteered over one of our infrequent Swindon curry fests and glad I was to have him onboard). We recorded all his bits in an afternoon in his shed on my laptop and, since the last time we played together was ohhh the late Bronze Age, it was remarkable how empathic it all was. On reflection though maybe we're both just emotionally stunted and have failed to grow or develop in any way apart from an increase in nasal hair."
------------------------------ Date: Fri, 12 Aug 2005 08:02:13 -0700 (PDT) From: Al LaCarte <allacarte@yahoo.com> Subject: I'm Going to Disney Land Message-ID: <20050812150213.85627.qmail@web50103.mail.yahoo.com> All: I needed a traffic report, and I knew that the local spew-radio station here in Intelligent Design World did one at 4:30. I also knew that the never-eloquent always stupid Sean Hannity's show would be on after the report. Well, after the report was over, I heard the opening riff to "Dizz Knee Land" by Dada and then felt the pavlovian urge to puke as the riff crossfaded into the vocalizations of Hannity, and I lunged for the CD button. Then, I had a thought. I figure that radio geeks who work for these liars masquerading as "Great Americans" probably get some joy out of featuring songs that contain lines like: "I just flipped of President George I'm going to Disney Land!" I could just see it happening: "Hey Mr. Hannity. Listen to this: <anti right wing song> Can I use it as a bridge into your insightful comments coming out of the 'merricals." "Sure, whatever kid. Let's see if we can get Santorum on the show again so I can stick my head up his ass one more time!" :Al P.S. Welcome back Dom. You've too long been absent from the games.
------------------------------ Date: Sat, 13 Aug 2005 09:01:01 +1000 From: "Simon Knight" <homefrontradio@hotmail.com> Subject: Axis Mundi Message-ID: <BAY18-F14383B6372388CE48E2F0ED0BC0@phx.gbl> D.D. wrote: >I'm not sue I'd define 'Axis Mundi' as a strictly or even mostly >theological term. Often alchemical, perhaps... Within the context of >the song, I believe Andy's using it as an emotional metaphore, though >I'm quite sure you're right in thinking our friend picked it up from >some medieval dictionary or text... Sorry, but to be equally pedantic, I was studying at a University, (which also happened to be affiliated with the local Roman Catholic Seminary ), at the time `Wasp Star' came out. I simply though it literally meant `World Axis' and assumed Andy was speaking metaphorically as being spun like a Globe and being thrown off tilt. Others might see it as Andy thinking he's been knocked from his position at the centre of the universe. (Both are valid interpretations). But imagine my surprise to be studying in the library and hear the phrase come up in conversation between of the Priests. I investigated the concept further - it's a term used quite commonly by both Philosophy and Religious Studies Students. It has wider implications than I think you might be familiar with. This link can explain it better than I could attempt to: http://en.wikipedia.org/wiki/Axis_mundi This is how I view it in the larger context of the song, `The Wheel and The Maypole': Andy is singing of the cycle of life, and how the wheel keeps turning. He's just been through a divorce, (brutally spelt out in `Your Dictionary'), and found happiness again in a new relationship, (`Stupidly happy'). He's struck by thoughts of again and growing older, birth and renewal, and the passage of time, (see `Playground', `Easter Theatre' or especially `Harvest Festival', with speaks of the circular passage of life again. The phrase `See the flowers round the altar' being used twice at the start of the first and third verses isn't just lazy repetition - its parallelism, (pointing out the link between his childhood and his older self). So we come to `The Wheel and The Maypole'. The first half `The Wheel' suggesting the coming to together of a couple through sex and marriage and the sudden shattering of love. The `Maypole' section strikes me as being an honest and mature realization of the reality of the fragility of a relationship between two people in the natural order of things. Like birth naturally ends in death for all things, why should he have naively expected a relationship to be invulnerable to the same process that affects everything else in the world? His *belief system* has been challenged, and of course it seems completely logical to him now: `everything decays', 'of course it all unweaves'. So I choose to interpret the phrase `Axis Mundi' on this on the larger scale, both within the framework of the song, and those that surround it. His fundamental world view has been changed - I view it as theological song. As to Andy's original intentions - he might have meant the globe thing, but he's an intelligent man and obviously has questioned religion before, ('Dear God'), so I'd believe he'd be aware of the concept. If not, then it's another perfect example of 'an author's true intentions being revealed through error', that i'm a big believer of. Damn, XTC are a great band! I wonder what they talk about this kind of thing on the Mariah Carey mailing list? Cheers All, Simon
------------------------------ Date: Fri, 12 Aug 2005 19:43:48 -0500 From: Steve Schiavo <steveschiavo@mac.com> Subject: Re: Axis Mundi Message-ID: <74819DDE-D056-4AF3-A8A9-B44EFA7B743E@mac.com> On Aug 11, 2005, at 6:18 PM, don device wrote: > I'm not sue I'd define 'Axis Mundi' as a strictly or even mostly > theological term. Often alchemical, perhaps... Within the context of > the song, I believe Andy's using it as an emotional metaphore, > though I'm quite sure you're right in thinking our friend picked it > up from some medieval dictionary or text... You are no doubt correct. But that clever Andy - there's also the play on Mundi and Monday. And a/the Axis Mundi being the center of the world, or universe, or emotional state. Perhaps he was reading some Mircea Eliade. - Steve
------------------------------ Date: Sun, 14 Aug 2005 17:17:00 +1000 From: "Simon Knight" <homefrontradio@hotmail.com> Subject: Great Listening Message-ID: <BAY18-F135D2A6A763FBC3086DD1BD0BE0@phx.gbl> Thanks to James Lowe for pointing out this extensive interview with Andy: http://www.buhdge.com/audio%20buhdge/partridge_audio.htm It's everything I was hoping Song Stories would be but definitely wasn't. Someone should ask Neville Farmer if he still has the interview tapes and to put the interviews out on cd in mp3 format, because it would be great to hear Colin talk as well. Truly great stuff. Cheers, Simon -- http://homefrontradio.blogspot.com/ A Songwriter's Journal
------------------------------ Date: Sun, 14 Aug 2005 21:23:47 +0200 From: "Torben B. Jacobsen" <bystrup@oncable.dk> Subject: XTC DVD? Message-ID: <001401c5a105$b292f110$6400a8c0@bystrup> I am searching for a DVD (european standard) with all the classic XTC music videos (Towers of London, Grass etc.). I think I have read about it at Chalkhills some months ago. I would be extremely grateful, if anyone could help me with a copy - or a link. Maybe I could trade in some other XTC-stuff... Torben (danish Chalkhill-lurker)
------------------------------ Date: Mon, 15 Aug 2005 13:22:49 EDT From: Hbsherwood@aol.com Subject: Fuck Art, Let's Dance Message-ID: <1a1.39dc3341.30322969@aol.com> > From: "Pastula Aaron" <pastula12@hotmail.com> > Subject: "Just sweet pop music?" Not really... > > 3) that Andy is a *songwriter,* not a politician, theologian, > diplomat or historian.A I love his musings, but more often than not, > that's simply what they are -- the musings of a sensitive, emotional > guy from a little town in England and the view of the world from > where he's sitting.A But just as I don't look to Condi Rice for the > final word on pop music, neither do I look to Andy for the final > word on foreign relations. THEREFORE: 4) All art is pretty much completely meaningless. The thing that seems to be being missed here is that "the view of the world where Andy is sitting" is precisely the point: Art extrapolates the universal out of the particular. From a few of Picasso's expertly dabbed jots of oil-paint on a piece of cloth he dubbed "Guernica," some weird bulls and lightbulbs and people with body parts at strange angles, we work outward -- first from the images on the cloth, then to the specific event -- Franco (and Hitler) using a Basque village for aerial strafing practice for three hours one Iberian afternoon -- then to the lesson being taught: Boy, it sure sucks when people with power cause suffering to those without it, and finally to the universal truth: Let's not kill each other, OK? You go to the "experts" on the Spanish Civil War, your politicians, theologians, diplomats or historians, you will get layer after layer of obfuscation, of rationalization, of hidden motives and political gimcrackery until the pure unalloyed *evil* of the event is glazed under an inch-thick layer of yellowed shellac. To a historian the atrocity of Guernica is nothing more than a trove of facts, each piling upon the next in an ever-increasing heap of abstractions, a lode to be mined for academic theses. Every year that passes, the shellac gets thicker. Words, words, words. To your Condoleeza Rice and countless others of her ilk, her emotional paralysis, her separation from reality in the world of theory and abstraction, has become so complete that she countenances policies that engender hundreds of tiny (and not so tiny) Guernicas every day -- and bows imperiously in ponderous recognition of the wormtongued sycophants who tell her she's a fucking hero for it. The only truth about Guernica is that Power Inflicted Pain on the Powerless. Everything else is, to one extent or another, a goddamned lie. And that truth, I suggest, is best expressed by a large bit of cloth with some dabs of oil paint on it that hangs in the Museo Nacional Reina Sofia in Madrid. No words. No books. No Ph.D. theses. So how much do you think it dismays Condoleeza Rice when "sensitive emotional guys in small towns in England" call our attention in song to the utter, infinite black-eyed rotting deadness of her soul, taking lives with a smoking pen? Not much? No, probably not. But I know who's right. Cite all the politicians, theologians, diplomats or historians you want. I know who's right. I propose a thought-experiment to test the thesis that squishy old Andy Partridge knows nothing about politics or international affairs: Imagine, if you will, this being sung by that mother on the left edge of "Guernica" ( http://www.artfaq.it/desktop/guernica.jpg): Well hush my children go to sleep The troubles will soon all be over Their bombs will form a rusting heap For flowers and fern to grow over Their leaders are only drunk with fear They wouldn't do this be they sober And when they drink our friendship clear The troubles will soon all be over See her? She's the one holding the dead baby. Harrison "Sensitive, emotional" Sherwood PS: From the Wikipedia: "During the Vietnam War, the room containing ["Guernica"] became the site of occasional anti-war vigils. These were usually peaceful and uneventful, but in 1974, Tony Shafrazi a" ostensibly protesting Richard Nixon's pardon of William Calley for the latter's actions during the My Lai massacre a" defaced the painting with red spray paint, painting the words "KILL LIES ALL"; the paint was relatively easily removed from the varnished surface." Words, note. Words obscuring the Image. Apparently the stupid cork-soaker has a gallery of his own now: http://www.tonyshafrazigallery.com/ On shopping list for next trip to NYC: Several large cans of red spray paint.
------------------------------ Date: Mon, 15 Aug 2005 21:34:03 -0700 (PDT) From: Steve <ste7phen@yahoo.com> Subject: Uffington Horse Curiosity Message-ID: <20050816043403.84293.qmail@web53301.mail.yahoo.com> Hi all, Uffington Horse proximity would be the "xtc content." I want to share this year's grand finale (maybe) of a crop circle. I'm suscribed to emails from: http://www.temporarytemples.co.uk/ >Temporary Temples (crop circles) Update! >Is this the grand finale? >Woolstone Hill, nr Uffington, Oxfordshire. Reported 13th August. >This extraordinary formation has appeared close the the recent >Wayland's Smithy formation, and is also near to the Uffington >white horse. >The formation is about 350 ft across. Here is a link to the related image: http://members.cox.net/ste7phen/image/2005_08_13b.jpg Maybe you guys near Swindon can go visit for me ;-) Another Steve
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