Reviews: XTC: Apple Box
Apple Box

STILL HUNGRY?
 

De Morgen
Onlinekrant | Archief | 06-01-2006
Muziek / Recensies
XTC: Apple Box door Bart Steenhaut

XTC's zoveelste appeltje voor de dorst
***


Ironisch dat een groep die ooit jarenlang in staking ging uit protest tegen de manier waarop ze door haar toenmalige platenfirma werd behandeld nu zelf op een ongeziene manier haar fans exploiteert. XTC richtte, nadat Virgin uiteindelijk toch het contract had verbroken, een eigen labeltje op, waarop ze kort na elkaar twee uitstekende cd's uitbrachten. Nadien brachten ze van zowel Apple Venus als Wasp Star ook nog eens een cd met demoversies uit en nu zijn al die platen op hun beurt weer verzameld in een sober verpakte vierdelige cd-box, aangedikt met een boekje vol songteksten en aantekeningen. Andy Partridge en Colin Moulding recycleren intensiever dan de gemiddelde milieuactivist, maar op de songs zelf valt nog altijd weinig af te dingen. De invloeden van The Beatles en The Kinks schemeren door, de teksten van hypochonder Partridge zijn even scherp als genadeloos en vooral 'Your Dictionary', een in vitriool geschreven nummer over zijn echtscheiding, behoort tot het beste wat de groep ooit heeft opgenomen. De vraag is alleen wie deze box zal kopen: echte fans hebben alles wat erop staat en voor de modaal geïnteresseerde volstaan de twee 'moederplaten' ruimschoots. Een marketingoefening waar niet lang genoeg over nagedacht is. Trouwens, waar blijft die nieuwe cd? (Ape / Cooking Vinyl)
(Eigen berichtgeving)
 
 
 
 

2005
Static Multimedia
FILM GAMES GEAR MUSIC PRINT
 
"Apple Box" combines the "Apple Venus" and its follow-up "Wasp Star" releases, which presented whimsical, intelligent lyrics, sumptuous orchestral arrangements, crystalline guitars, revamping the traditional pop song structure into something approaching fine art.
In 1999, XTC returned from near-obscurity with a series of albums reminding people of just what, exactly, was missing in pop music. Apple Venus and its follow-up Wasp Star presented whimsical, intelligent lyrics, sumptuous orchestral arrangements, crystalline guitars, and a host of fascinating ideas and directions which revamped the traditional pop song structure into something approaching fine art.

For those who are unfamiliar with XTC, you might remember a late-70's new wave song called "Making Plans for Nigel," released shortly before XTC permanently ceased touring to develop their music in the recording studio. Every few years, a new album would appear, showing a band whose songwriting abilities were incredibly well-defined, yet their ambitious recording decisions only seemed to work about half of the time. All that changed in 1986 when Geffen records paired them with legendary producer Todd Rundgren, who pushed XTC to create what has since become regarded as a conceptual album masterpiece, Skylarking. Soon, the then-B-side "Dear God" was picked up by radio, and suddenly XTC was famous in America. Their next album, Oranges and Lemons boasted several hit songs (including "The Mayor of Simpleton" and "King for a Day"), and 1986 showed the arrival of Nonsuch, featuring the modest single "the Ballad of Peter Pumpkinhead." Shortly thereafter, the group went into a long legal battle with their record label, went on strike by not recording anything for five years, and quietly faded from the American pop radar.

XTC Apple Box By the time Apple Venus was released, XTC had formed their own record company (Idea Records) and were now in full control of their music. Originally intended as a double-album set, Apple Venus and Wasp Star are, in fact, two separate albums with their own unique sound. The first is more orchestral, with glimmering strings, mirthful woodwinds, carnival keyboards and subdued percussion flown throughout the songs. The second album leans more towards traditional rock, yet features unconventional instruments such as a flugelhorn buried among the guitars and drums. What's truly impressive is the way Nick Davis, their current producer, is able to blend all these varied sounds without the songs degenerating into chaos. If anything, these two albums could be used in a school for recording engineers and songwriters to learn how to perfect their craft.

Lyrically, both albums deal with similar themes: growing up, learning, making mistakes, falling in love, falling out of love, falling in love again, microcosmic theory, sex, death, rebirth - all wrapped up in a humorous wink, reminding you that everything's all right if you don't take life too seriously. Andy Partridge and Colin Moulding have captured a rare place in music, one reminiscent of David Bowie's "Kooks," Nilsson's "Think About Your Troubles" and the Beatles' "Strawberry Fields Forever." It is delightfully charming music, and I've recommended these albums to just about everyone I've met over the years.

From the very start, Apple Venus sets the tone of a beautiful summertime album, with a subtle invitation to wander around various story book worlds created by Andy and Colin. Wasp Star: Apple Venus Vol. 2 arrived the following year, featuring more electric instruments, and is a perfect soundtrack for your second childhood. Fans of XTC tend to favor one album over the other, but in essence the two records are part of a set, allowing the listener to appreciate them separately and collectively. Both recordings offer similar messages accompanied by a wide range of musical styles that would earn the respect of any serious musician or producer, for XTC are terrific at placing musical accents that bring out the messages buried in the lyrics throughout every song. "Stupidly Happy" features the lyric, "All the lights on the cars in the town form the strings of a big guitar" - punctuated with a quick jing-jang of said guitar; "Boarded Up" boasts percussion performed on various pieces of wood; "I'd Like That" has Andy singing, "I'd smile so much my face would crack in two", followed by a sharp CRACK heard among the sounds of a summer carnival. Details like these make for a very rewarding experience during repeated listening, and years later I continually find new ideas and tricks that have somehow escaped my attention during previous exposures.

However, as far as America is concerned, XTC might now be merely a curiosity, a group lost in the seas of irony. Their finest musical achievements have been heralded by critics, yet were largely ignored by the public upon their initial release. Hopefully, the recently released Apple Box will focus fresh attention on these two masterful recordings. Perhaps the public who once embraced the energy of the song "Earn Enough for Us" will notice the banners, posters and billboards while shopping for Holiday presents. In fact, the Apple Box is one serious package, containing both studio and demo releases of the albums, a digital download code for two previously unreleased songs, and a cell phone ring tone (the deluxe box set includes all of the above, along with a T-shirt, badges and "a little something extra" according to the XTC website).

XTC Apple Box Fans of XTC might be a little disappointed at the lack of bonus material included in the Apple Box - after all, there's not much here that hasn't been previously released, and the two new songs included are digital downloads - so if you don't have easy internet access, you might feel a bit slighted. Also, there's no inclusion of either of the two Japan-only instrumental albums that keep fanatics like myself scouring the imports sections (although the entertaining liner notes by Andy and Colin from those sets are included here - a treasure all by themselves). Finally, new listeners might not appreciate the demo versions (which do offer an insightful look at just how songs can change from conception to completion), preferring instead to simply purchase the individual albums. These minor packaging flaws are the only reasons why the Apple Box collection fails to get a full 4-star rating, and shouldn't be taken as a criticism of the brilliant music contained within.

Even with the lack of rarities, I know more than a few people who would love the Apple Box regardless if they're familiar with XTC. If you've never heard these recordings before, or you want to learn a masterful way of creating recorded music, then I highly recommend XTC's Apple Box for your listening pleasure.

Listen to the new XTC track "Spiral"
© Copyright 2005 Super Unleaded Design, Inc. All Rights Reserved.
words

Neil Kull

links

Official Website
Spiral (new XTC track) MP3

sponsors

[Thanks to Neil Kull]


MOJO
December 2005
Reissues

---
XTC

(four stars)

Apple Box IDEA

Apple Venus plus Wasp Star.
Andy Partridge calls it their “magnum hopeless”.

XTC's reclusive nature gives us a romantic notion of some decelerated, Beatles-like existence — no live shows just CDs of beautifully-crafted pop every once in a while. In fact, these two LPs were originally envisaged as a mid-'90s double CD, but after writer's block, arguments, near bankruptcy and the theft of all the original studio recordings, they were finally released separately at the end of the decade. Here they are joined by their demo counterparts — generally too similar to the final versions to be more than fan-fodder — as a 4-CD set. Apple Venus, particularly is superb. It's subtle and imaginatively arranged with horns and strings, while overall Wasp Star is a swaggering, electric guitar-driven belter. Lyrics are pithy and pictorial; the tunes sound unusually fresh for a band that has been plying its trade for so long.

Mike Barnes

[Transcribed by Paul Culnane]


Classic Rock
December 2005 issue (November 2005)

XTC
Apple Box
Idea

Fruity melodic musings on love and divorce. In a box.

XTC fans may miss the nostalgic kick of reunion tours (Andy Partridge's stage-fright put paid to gigs years ago), but at least they can benefit from the frantic energies put into this project.

Apple Box units the recent-ish Apple Venus and Wasp Star albums as originally intended, and adds two companion CDs of demos. Musically XTC have peddled the same whimsical, left-field pop since 1978, and Easter Theatre and Knights In Shining Karma ape The Beatles and The Beach Boys respectively. Still, it's worth investigating for the fabulous I Can't Own Her and Partridge's ace sleevenotes: ‘Romania is to great guitars as Adolf Hitler was to champion figure skating’. Quite.

* * * * * * * - - -
Simon Williams

[Thanks to Robert Mallows]


Rolling Stone (Germany)
November 2005

Replays

XTC
"Apple Box"

 
 

 

 

In einem weißen Karton: die Alben „Apple Venus Vol. 1“ (1999) und „Wasp Star“ (2000) und deren Vorstudien als Acht-Spur-Demos, „Homespun“ und „Homegrown“. Es war der Anfang von Andy Partridges nur noch fragmentarischer Arbeitsweise, „Apple Venus“ ist die letzte große XTC-Platte. Vielleicht der Abschied von einer Band, die auch an den eigenen Idiosynkrasien und Schrullen scheiterte. (Idea Records)

ARNE WILLANDER

In a white box: the albums “Apple Venus Vol. 1” (1999) and “Wasp Star” (2000) and early “sketches” of each of them as 8-track demos, “Homespun” and “Homegrown”. It was the beginning of the era of Andy Partridge's current working style, fragmentary at best. “Apple Venus” is the last great XTC record. Perhaps the farewell from a band whose demise/failure was due in part to their own quirks and idiosyncrasies. (Idea Records)

[translation by Jeffrey Thomas]

[Thanks to Jeffrey Thomas]


CUCAMONGA
AFLEVERING 664 - 14 NOVEMBER 2005 - DEEL 1

Nog zo'n getalenteerde songschrijver is Andy Partridge, die samen met Colin Moulding XTC vormt. In de jaren 90 heeft XTC zeven jaar lang gezwegen omwille van een groot conflict met de platenfirma. Maar in die periode werkte de groep wel aan een ambitieuze dubbelelpee, die uiteindelijk als twee aparte cd's is uitgebracht: het orkestrale Apple Venus, pt. 1 en het rockende Wasp star. Die twee schijfjes zijn nu samengebracht met nog twee andere cd's vol demo's. En samen met de uitvoerige liner notes geven die mooi aan hoe een song van XTC tot stand komt.

artiest: XTC
song: I'm the man who murdered love (3 demo versies)
cd: Apple Box
label/referentie: Idea/Bertus/CD007

Drie demoversies van I'm the man who murderd love, een lied dat uiteindelijk op Apple Venus, pt. 1 is beland. Die cd vind je nu dus in de Apple box, met verder ook Wasp star en de twee demo-cd's Homespun en Homegrown. Die vier platen zijn eerder apart verschenen én nog altijd te koop. Het nut van de box ontgaat ons dus toch een beetje. Tenzij dat XTC nu eindelijk gelukkig kan zijn dat de Siamese tweeling weer aan elkaar is genaaid. Soit, de muziek blijft natuurlijk sterk.

artiest: XTC
song: Greenman
cd: Apple Box
label/referentie: Idea/Bertus/CD007

Greenman, een van de 54 appels uit de nieuwe mand van XTC: Apple box.


De Tijd

XTC / 'Apple Box - The Collected Apple Venus Recordings'

Idea Records/Bertus

De eerste najaarsboxen zijn een feit. Je zou kunnen zeggen dat XTC het zich gemakkelijk heeft gemaakt, maar dat zou afbreuk doen aan de strijd die Andy Partridge en Colin Moulding geleverd hebben om het zover te laten komen. Ze bundelen vier albums die het levenslicht zagen in de periode tussen 1998 en 2001, maar ontegensprekelijk met elkaar verbonden zijn. Eerst verschenen 'Apple Venus' en 'Wasp Star', later de cd's met demoversies van precies dezelfde nummers. Deze toevloed aan liedjes kwam er niet zomaar. Het album dat origineel verscheen onder de titel 'Apple Venus Volume 1' bood een overzicht van het akoestische werk dat het duo bijeenschreef toen ze door hun voormalige platenfirma 'gegijzeld' werden en staat in zijn nieuwe gedaante op een wit schijfje.

'Wasp Star (Apple Venus Volume 2)' is elektrischer en werd op een zwarte schijf geperst. Maar het verschil tussen beide is niet zo zwart-wit. De luchtige (maar toch doordachte) popsongs van het duo blijven hoogst charmant gezelschap, ook nu vooral hun nerveuzere new wavegeluiden uit het eind van de jaren zeventig lustig door een nieuwe generatie muzikanten gekopieerd worden. Zeker wanneer Partridge zijn pen bovenhaalt, wemelt het van spinnende melodieën, weerhaken en geestigheden. Voor wie de sound op de originele versies wat te orkestraal vindt, zijn de demoversies een waardig alternatief. In eerste instantie wilde XTC overigens een dubbelalbum uitbrengen, maar dat plan moest de groep van het kleinere Cooking Vinyl-label laten varen. Op deze manier krijgen Partridge en Moulding uiteindelijk toch nog hun zin, al hadden ze deze opnames veel liever een decennium eerder uitgebracht. Bij het fraai vormgegeven doosje (een lust voor het oog) hoort een 64 pagina tellend boekje met de teksten en erg uitgebreide liner notes. TPe

13:29 - 31/10/2005
Copyright ©2005 Uitgeversbedrijf Tijd NV


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