Chalkhills Digest, Volume 14, Number 2 Saturday, 12 January 2008 Topics: The Dukes of Stratosphear on eggnog big Australian live clips The Sound Of Music "Complicated Game" is the MySpace song of the week Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: <http://chalkhills.org/> The views expressed herein are those of the individual authors. Chalkhills is compiled with Digest 3.8f (John Relph <relph@tmbg.org>). This is the end / Of kissing arse and rubbing noses.
---------------------------------------------------------------------- Date: Tue, 1 Jan 2008 13:30:18 -0800 (PST) From: Ryan Anthony <hamsterranch@yahoo.com> Subject: The Dukes of Stratosphear on eggnog Message-ID: <682904.89070.qm@web51409.mail.re2.yahoo.com> Happy goyisher new year to all Chalk-types, and especially you who agreed to be subjected to my "Christmas card" rant this year. Thanks for the music, Ike Turner, Dan Fogelberg, Oscar Peterson, and you too, Joey Bishop, the meekest and mousiest of the Rat Pack. Fogelberg's *The First Christmas Morning* (1999) I bought for a buck at a yard sale a few years ago, and it has become an indispensable part of my personal Christmas rotation, alongside Yule-themed releases by The Chieftains, Michael Martin Murphey, James Brown, Tom Lehrer ("On Christmas Day you can't get sore/Your fellow man you must adore/There's time to rob him all the more/The other three hundred and sixty-four"), Mannheim Steamroller, Vince Guaraldi, and an obscure act called The Three Wise Men who sound a lot like the Dukes of Stratosphear on eggnog. Oh, plus "Star Of Bethlehem" by Neil Young with Emmylou Harris (too beautiful to pack away for 11 months, but I do), one appropriate track from *Tommy*, and "Christmas In Suburbia" by Martin Newell, ably assisted by Sir John Johns and his jangly Jesticles. I know, that's all So Very Last Week, but when we get busy we tend to neglect our Chalkhillizing. Here's a thought appropriate to today: Fogelberg also wrote the best new-year-themed song ever. You know it: "Saw my old lover in a grocery store ..." Rest in peace. Ryan Anthony An independent Internet content provider
------------------------------ Date: Wed, 2 Jan 2008 08:43:18 -1000 From: Jim Smart <jimsmart1@mac.com> Subject: big Australian live clips Message-ID: <DC98D724-EAA8-446A-ABF4-7CD329473C14@mac.com> > I just found this by accident...some of you may already be familiar > with it, > but this *has* to be one of the best live XTC clips EVAR. > > http://uk.youtube.com/watch?v=S6deXuGhnMY Wow! Whatever Australian TV show captured those amazing Black Sea performances really captured XTC well. Lots of great close ups of everyone in the band at just the right moments. Live music is wonderful. Andy Partridge is wonderful at making live music, and looks to be enjoying himself. I still hold out some small percentage of hope that he will return to the stage someday, under his own terms. Off topic, I've made a silly music video for my latest song, which like all my work is a bit influenced by XTC and the Kinks: http://uk.youtube.com/watch?v=BCNkzGKUf1c aloha, Jim http://www.familysmart.blogspot.com/ http://myspace.com/jimsmartsongs
------------------------------ Date: Thu, 3 Jan 2008 00:35:03 +0000 From: <homefrontradio@hotmail.com> Subject: The Sound Of Music Message-ID: <BAY128-W405C6B36D1F626C0CEAED0D0530@phx.gbl> Thanks Chalkhillians, for the listening suggestions, the support and the mocking. My apologises in my delay in replying. I've since realized I'm definitely a lost cause as far as modern music is concerned, and have identified why. I've been doing a lot of research lately into the mixing and mastering of sound for my own musical projects, and have been struggling somewhat since digital seems to have such different characteristics and properties to analog. I accidentally discovered it was far easier to mix if I turned the average level down to about -15 db, and it was much less tiring to do it that way. Instruments and vocals had more separation and definition. Strange. I've researched more and since stumbled across the concept of `hot' mastering, and it explains my problem with modern music completely, and is something that younger listeners may not understand if they didn't grow up in the vinyl era, as I did. Check out this wonderfully-dumbed down explanation, using Paul McCartney's `Figure Of 8' as an example: http://www.youtube.com/watch?v=3Gmex_4hreQ On a basic level, you can hear how flat the `hot' mastered track sounds once the resultant waveform clipping is applied. Extend this over a entire CD, and you end up with an uninvolving, unexciting album that's physically tiring to listen to, because our ears aren't designed to listen to such uniform waveforms without peaks and valleys for extended periods of time. A great explanation I read of it was to imagine our range of hearing as 100%, and then visualizing modern cds only occupying the top 5% of that. Someone else commented that this was akin to the high pitch whine of a test pattern in terms of uniformity and listening fatigue. No wonder I now often prefer silence to music. Out of curiousity, I've started going through my collection and doing waveform analysis, and things make a whole lot more sense. Despite containing some of the greatest rock songs ever, the two times I listened to `Love' by the Beatles, I was struck by the feeling of `won't this ever end?' No matter how often Oasis's `What's The Story Morning Glory' and Sufjan Steven's `Illinoise' have been recommended to me, they simply exhaust me to listen to them. Turns out they're all mastered `hot' - the Oasis one being a big leap forward in the practice. An almost 80 minute runtime makes `Illinoise' a slog to listen to. Although I've enjoyed their earlier albums, there's nothing wrong with the songwriting or the musicianship of the last `Crowded House' album, or the last two `Fountains Of Wayne' and `Belle and Sebastian' albums. So why don't I respond to them at all? Why does CH sound so flat and unexciting? Why does the FOW sound outright obnoxious? Huh, what do you know. `Hot' mastering again - the FOW being particularly clipped and uniform. Why I did I love Rilo Kiley's `More Adventurous' and the Decemberist's `Picaresque', yet find both their new major label releases completely boring and uninvolving? Yeah I know, indie snoberry - major label sellouts, right? Turns out they're both mastered especially hot. I'd pegged the Decemberists record down to a lack of songwriting dynamics in tracks like `The Perfect Crime', not realizing it actually *was* a lack of audio dynamics at play. Rilo Kiley is a big solid block of obnoxious noise, (and the failure of songwriting doesn't help either). The most obvious test was the two new XTC songs, both of which I knew I *should* have liked, but both completely failed to move me. Admittedly, I'd download both from various music review websites as free downloads when they were plugging `The Apple Box', so the dynamics mightn't be the band's fault. `Say It' is very loud, but I was unprepared for just how loud `Spiral' is - easily the loudest file I've discovered so far, and by the time it reaches the outro I don't want to hear it again for *a very long time*. As to the few albums I have responded positively to in the last few years, it turns out whilst they're still `hotter' than they should be, they're nowhere near the average level of albums designed for the Top 40. To sum up, although it seems like snobbery, the 80db range of vinyl is a more natural fit for human ears, and it's impossible for our ears to become fatigued in the same way via analog. I'm investing in a high-quality record player, and going to start tracking down the music I like on vinyl. If it has to be only old music - well, I can safely live with that. (I'm now thinking the 7" Apple Venus Box is a very good investment indeed). Cheers Simon p.s. Further reading, for those who are interested: http://en.wikipedia.org/wiki/Loudness_war http://www.rollingstone.com/news/story/17777619/the_death_of_high_fidelity
------------------------------ Date: Sun, 6 Jan 2008 17:45:58 -0800 (PST) From: Todd Bernhardt <beat_town@yahoo.com> Subject: "Complicated Game" is the MySpace song of the week Message-ID: <502322.42473.qm@web32010.mail.mud.yahoo.com> Hi: Over at the XTCfans MySpace site (http://www.myspace.com/xtcfans), the song of the week is "Complicated Game." If you want to know exactly who Joe and Tom are, and what it is that gets Andy mad about the song, check out the XTCfans blog site at http://blog.myspace.com/xtcfans. And it's always been the same It's just a complicated game -Todd
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