Chalkhills Digest, Volume 13, Number 40 Monday, 5 November 2007 Topics: Re: Open for discussion... Remoulds Dark Side of Colin... "Chalkhills and Children" is the MySpace song of the week SheBeat-mania! John "Strawberry" Fields Forever! Clean house or bite? Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: <http://chalkhills.org/> The views expressed herein are those of the individual authors. Chalkhills is compiled with Digest 3.8c (John Relph <relph@tmbg.org>). Bought from Argos and it's handy living near the chippie.
---------------------------------------------------------------------- Date: Thu, 25 Oct 2007 21:45:13 +0000 (GMT) From: Rory Wilsher <rory_wilsher@yahoo.co.uk> Subject: Re: Open for discussion... Message-ID: <925655.92225.qm@web23014.mail.ird.yahoo.com> Ben Gott said: "2) Today, the same XM channel played "Living Through Another Cuba" while I was driving home from work. This made me think that, although I adore "Black Sea" (especially "Respectable Street," "No Language In Our Lungs," and "Towers of London"), I like "Drums and Wires" better. I'm wondering why, though. Is it that there are fewer "filler" songs? More consistency within the songwriting? More playfulness? What do you think? " Which tracks do you consider to be "filler"? I think that Black Sea is one of those perfect albums where every song has its place and importance. I used to dislike "Travels In Nihilon", but then I grew up (a bit) and really like it now. (Iam excluding the extra tracks "Smokeless Zone", "Donat Lose Your temper", "The Somnambulist" which are on my latest version of the CD, but werenat on the original album). Rory Wilsher
------------------------------ Date: Thu, 25 Oct 2007 20:28:13 EDT From: MVOMALLEY57@aol.com Subject: Remoulds Message-ID: <cdc.1f68a47d.34528e9d@aol.com> Greetings and Salutations I am crawling out of my lurking pit long enough to ask the question, does anyone know where I can get my hands on a copy of this rare Dave Gregory treat Remoulds, I found it on The Traders Den but it is long inactive and no one is able to reseed. Any help would be appreciated! Michael Dave Gregory - Remoulds 1998 original CDR>CDR>EAC>FLAC 70 of these were given out to friends. This is a copy of one of those. I Am The Walrus was not on the set, but had been released on a Beatles tribute album. 01 Those Were The Days 02 36-24-36 03 Scarlett O'Hara 04 The Cruel Sea 05 Pretty Flamingo 06 I Feel Free 07 Tin Soldier 08 Wait Until Tomorrow 09 Fresh Garbage 10 MacArthur Park 11 Diamond Hard Blue Apples of the Moon 12 And How Am I To Know? 13 Classical Gas 14 All Along The Watchtower 15 Jigsaw Puzzle Blues 16 Happy Freuds 17 Sabre Dance 18 Our Prayer 19 Because 20 Little Bit of Love 21 Frankenstein 22 Love Comes To Everyone
------------------------------ Date: Sat, 27 Oct 2007 12:54:25 -0700 From: Wayne Klein <wtdk123@msn.com> Subject: Dark Side of Colin... Message-ID: <BAY108-W39A22E95AA701C7A8606E5F9970@phx.gbl> Jim Smart <jimsmart1@mac.com> wrote: > > I guess it depends what your definition of "hard" is. In my view > creating a rock opera would have to be one of the most taxing, > vexing, and hard things for any human to attempt. Fun and > interesting, yes. But easy? I really wasn't referring to it being "easy" but that there are a number of common "themes" that run through Andy's work. Using these themes he could assemble an a rock opera. It wouldn't be as "hard" as coming up with two albums worth of new material, plus the concept, etc. The hard part for Andy would probably be rearranging the pieces to work within the context of the piece itself, for different singers and dovetailing them based on the story he would come up with. ***Just listened to Colin's track from the "Dark Side of the Moon" tribute album for the first time the other day. I downloaded it from iTunes. Anyone know who played on the track? Don't know if Andy was contacted to contribute but I think he would have done a fine job on "Money". *** Ben wrote: > 2) Today, the same XM channel played "Living Through Another Cuba" > while I was driving home from work. This made me think that, > although I adore "Black Sea" (especially "Respectable Street," "No > Language In Our Lungs," and "Towers of London"), I like "Drums and > Wires" better. I'm wondering why, though. Is it that there are > fewer "filler" songs? More consistency within the songwriting? More > playfulness? What do you think? > > My favorite XTC album remains "English Settlement," and my favorite > XTC song remains "Jason and the Argonauts." Just so you know. Ben, for me "Drums and Wires" just has a more diverse sound. I like both albums and personally don't feel that there's any filler on either one. It sounds to me like "Black Sea" was a little more "rushed". The arrangements aren't quite as interesting. My fav album still remains "Skylarking" followed very closely by "Apple Venus". I like "English Settlement" but that album sounds like it has filler on it to me. It also would have benefited from including "Heaven Is Paved With Broken Glass" vs. "Knuckle Down" a song I just never cared for. I love "Jason and the Argonauts" but "Snowman" is a close second on the album for me. Wayne
------------------------------ Date: Sun, 28 Oct 2007 18:49:43 -0700 (PDT) From: Todd Bernhardt <beat_town@yahoo.com> Subject: "Chalkhills and Children" is the MySpace song of the week Message-ID: <235697.84677.qm@web32015.mail.mud.yahoo.com> Hi: Over at the XTCfans MySpace site (http://www.myspace.com/xtcfans), the song of the week is "Chalkhills and Children." If you want to know which '80s synth player loves this song, or what the *real* Spanish translation for "Los Angeles" is, check out the XTCfans blog site at http://blog.myspace.com/xtcfans. I'm floating over strange land It's a soulless, sequined, showbiz moon... -Todd
------------------------------ Date: Tue, 30 Oct 2007 11:57:26 -0700 (PDT) From: Todd Bernhardt <beat_town@yahoo.com> Subject: SheBeat-mania! Message-ID: <65160.6103.qm@web32001.mail.mud.yahoo.com> Hi: Big things are happening for Holly Partridge and the rest of The SheBeats! The Fab Five (whom you can find at http://www.myspace.com/theshebeats) have been working for Apple at Apple -- yep, working for the computer firm to promote and demonstrate the company's audio software Logic Studio, whipping up a yummy musical pie at the Beatles' fabled studios (where they bake beautiful girls). More news will follow as your humbled correspondent gets the dish. In the meantime, if you want a bite, you can check out an interview that Holly recently did with The Von Pip Musical Express, at: http://snipurl.com/1sx78 You'll find out *who* their influences are, *what* they've been doing, *where* they've been living, *when* and how the band got started, and *why* Noel Fielding might want to keep on the alert (lucky man). There's even a mention or two of Dear Old (well, Middle-Aged) Dad. There -- all your journalistic need-to-knows, in one interview. You're welcome. Holly's also bagged an endorsement deal with Gibson, so a suh-weet Les Paul is on its way to her, just in time for Halloween, so she can scare the competition outta her way. If you're in the London area, you can check her and the other 'Beats out on 3 November at the Lady Luck Club. Other gigs are listed at the site above. Something tells me this is a "catch 'em in the clubs while you can" situation... -Todd When I was a kid I used to pray every night for a new bicycle. Then I realized that the Lord doesn't work that way, so I stole one and asked for forgiveness. -Emo Philips, comedian (1956- )
------------------------------ Date: Wed, 31 Oct 2007 07:25:47 -0400 From: Benjamin Gott <ben@loquaciousmusic.com> Subject: John "Strawberry" Fields Forever! Message-ID: <86B24C2F-F266-4558-AD30-60B874178BAB@loquaciousmusic.com> Hi gang, In real life, I'm a sixth-grade English teacher. This means that, unfortunately, I am subjected to a lot of the same music that you parents of tweens are subjected to (Hannah Montana, anyone?) A few days ago, one of my students brought in a CD by a trio of Disney superstars called Jonas Brothers. Imagine my surprise when I flipped the disc over and found that it was produced by none other than John Fields, former Chalkhillian and the guy who pushed Mandy Moore to cover "Senses Working Overtime" and "Drop the Pilot"! (The album was also mixed by Chris Lord-Alge, which is one of the finest wastes of record company money I've ever encountered. I wonder which idiot suggested, "Hey! Let's pay one of the best mixing engineers in the country a ton of money to mix a teen pop album!") John did nice work. The songs aren't at all as cloying and obnoxious as I thought they'd be (although I did have to pop in the new album by The Magic Numbers after the kids left in order to cleanse my palate). Hey -- whatever pays the bills, right? You know what's a great XTC song? "Humble Daisy." -Ben
------------------------------ Date: Sat, 3 Nov 2007 21:58:41 -0800 From: Pastula Aaron <pastula12@hotmail.com> Subject: Clean house or bite? Message-ID: <BAY139-W43DD9494767C87C86243F2A28F0@phx.gbl> Okay, bite... Ben's questions, in summary: "I have also always believed that "The Disappointed" was a better song and a stronger single. Do you agree?" No...in fact, I've never thought "The Disappointed" was a very dynamic song at all. "PP" isn't much better, actually, but it had enough of a hook and enough of a story to make a decent video. All things being equal, I think Nonsuch is actually the one of the more "single-less" of XTC's records, along with the original version of Skylarking and AV1. And yes, I know "Earn Enough For Us" is everyone's favorite XTC song, and it was a single in Canada, and should have been everywhere else, but Skylarking is too seamless for true singles. Not unlike a solid block of sharp cheddar. Not that Nonsuch is a bad album, mind you, it's just that it doesn't have a "Mayor of Simpleton" moment on it anywhere...which is too bad, since I believe it was something of a commercial and critical letdown after O&L, which led to the Virgin thing, the strike, etc...can you imagine if it had been a bigger hit than O&L, what XTC in the '90s could have achieved? I mean, we'd probably still have or would have had Dave Gregory for several more records, and they probably wouldn't have run out of steam before making History Of The Middle Ages. (Which, incidentally, is STILL the best XTC album title that never got used. Can one of you people who talks to Andy on a regular basis PLEASE tell him that Aaron in California, whose XTC FAN license plate he and Colin signed in LA, is going to keep dropping that hint on this list until either 1) I die, 2) he dies, or 3) they make that record. And since options 1 and 2 suck, please tell Andy to hurry up.) "I like "Drums and Wires" better. I'm wondering why, though." I'm with you there. And I think the reason is because side 2 of that album is one of XTC's finest moments, period. The songs are just spooky enough, just odd enough, just catchy enough to carry you all the way through. It's their Revolver, the one that was a huuuuge step forward and after which nothing was ever the same...I mean, even simple things like the pregnant pauses before the last guitar riff of "Millions" and the nearly-too-long break between the end of "That Is The Way" and "Outside World" are perfect. Need proof? Put on a good pair of headphones, sit or lay down in a darkened room, close your eyes, and play side 2 of D&W. That's a listening experience few bands have ever matched, in my opinion; even XTC themselves. Which is why Black Sea rocks so hard, but it's why you like D&W better...the former is like sex, which is always fun, but the latter is actually *sexy*, and that has waaaay more mileage in the long run. In closing: I have 3,000 plus songs on my ipod, and I'm sick of every one of them. Can someone please throw some new music out for me...the last great leads I got off here were the new Jason Falkner album and Fripp's Exposure. But I'm a little progged-out at the moment, and I've consumed every Falkner album so many times my toilet bowl now writes catchy pop, plays the drums and talks to itself in the studio. I need something I can't stop listening to...it's been years since I've had such a thing...help! AP
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