Chalkhills Digest, Volume 13, Number 20 Thursday, 3 May 2007 Topics: Burning Well said Yeesh! Brewed by Partridge "We're All Light" is the MySpace song of the week Rolling Stone's Underappreciated Bands List In Which I Picture Billy Joel playing 'Yakkety Sax' In The Style Of Dukes Make-up gig Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: <http://chalkhills.org/> The views expressed herein are those of the individual authors. Chalkhills is compiled with Digest 3.8c (John Relph <relph@tmbg.org>). Don't you know, 'pon the pillion of times bike / We roar on to the stage.
---------------------------------------------------------------------- Date: Thu, 26 Apr 2007 09:44:41 -0700 (PDT) From: Ryan Anthony <hamsterranch@yahoo.com> Subject: Burning Message-ID: <395391.6706.qm@web51103.mail.re2.yahoo.com> Nigel Turner, in Book 13, Chapter 18, of the Gospel According to Relph, offered a deft reminder of how quickly language changes in his discussion of "good" music and "bad" music and the curious ways we come to conclusions regarding which is which: "... When i was a boy (many moons ago) I was very clear about what I thought was good and bad. I was into new wave/punk and thought that everything else was ... well ... crap. I hated anything folky and once threatened to burn (not in the modern sense) a Nick Drake LP. ..." In my days of editing a newsletter that covered the goings-on in a national network of social clubs, I presented annual Hypothetical Hamster Awards (the name was intentionally silly to head off criticism that I was taking these citations too seriously) for the best writing in chapter club newsletters. A Hammie nomination, at least, for Turn of Phrase of the Year would have to go to Nigel for reminding us that "burning music" used to make us think of something else entirely. You and I think of "burning," as in public destruction through rapid oxidation in order to protest nonconforming opinion, as bad (assuming we are in agreement with said nonconforming opinion), and "burning," as in copying, as good, but perhaps a recording artist would have the opposite view. After all, the former involves massive sales of the product (you can't throw it on the bonfire if you don't buy it first), and the latter doesn't. Is the smell of burnt mp3 not unlike human hair? Ryan Anthony An independent Internet content provider P.S.: Am I right in thinking that it would be somewhat less difficult to go through life as an XTC fan named Nigel than as a Beach Boys fan named Barbara Ann?
------------------------------ Date: Sun, 29 Apr 2007 16:44:13 +0100 (BST) From: Paul Culnane <paulculnane@yahoo.co.uk> Subject: Well said Message-ID: <20070429154413.81569.qmail@web86905.mail.ukl.yahoo.com> Nice to see some ol' faces popping up. 1) Ryan Anthony: well argued POV (that's point of view, not plate of vomit) I'm not a white boy from Arizona, but like Ryan I am able to glean the meaning of "rap" lyrics and the general idiom's intent. The "caboose" can be admired without beckoning what some people may regard as unsavoury desires. 2) Hello Debra: great to hear from you. Mr Strijbos MIA (that's missing in action, not necessarily mellowed in amsterdam). I hope he's alright, he was always one of the best and most vociferous on this forum. In a good way, by definition. 3) Todd Bernhardt: an ongoing pleasure to read his song stories with Andy. Great PAS (that's public address system, not passive aggressive syndrome). Thanks Todd. 4) XTC: a fine little pop group. Just the other night, cable TV here in Oz (I think it was VH-1) played a clip of them performing "Generals & Majors" in Oz in 1979. I remember that, it was hilarious. The ineptness of the camera diector was outstandingly silly, focusing on AP while it was actually Colin singing. Then to top it, resident host Molly Meldrum presented Andy with a commemorative plaque in the shape of Australia. Andy's response? "Just what I always wanted, a map of Portugal!" An SPM (that's sublime pop moment, not specious partridge megalomania). 5) Steve Somerset: one of nature's true gentlemen and a marvellous musician and tactician. RGV (that's really good vibes, not necessarily red green violet, though that's been known to happen from time to time). NP: "That's The Way I Like It" by KC & the Sunshine Band PAUL. FLO (that's feeling left out, not necessarily florence, thank you). "What???" - Ludwig Van Beethoven Paul Culnane ICE Productions Australia
------------------------------ Date: Sun, 29 Apr 2007 20:27:21 -0400 From: Benjamin Gott <bgott@rectoryschool.org> Subject: Yeesh! Message-ID: <C70E42DB-37E8-4495-9C34-18A66D92D9CE@rectoryschool.org> Gang, I hate to be "that guy," but it looks like PopMatters wrote an even nastier review of "Monstrance" than I did. An excerpt: "Monstrance`s two CDs of `songs' are harsh, scattered and tough to fully fathom. Moments come across like New Age gone antisocial, while some sequences sear the synapses right off of your nerves. Unlike his work with Harold Budd (for the remarkable ambient album Through the Hill) or his own remix/dub collection of `70s era XTC tracks (the still strange Take Away/The Lure of Salvage), this certainly sounds like a bunch of drinking buddies, sitting around, fiddling with their instruments. Definitive beats are hard to find, as is anything remotely melodic. Even more elusive are completed structures or a sense of definable direction." Whew! And I'm the guy who gets quoted on the Ape House site? C'mon now! My review looks positively smashing next to this one! And I'm still loving the new Jason Falkner. And Jason Falkner even wrote me an e-mail. So there. Thbfffffpt. Slightly vindicated, -Ben
------------------------------ Date: Sun, 29 Apr 2007 21:01:26 -0400 From: Kevin <dancingweed@optonline.net> Subject: Brewed by Partridge Message-ID: <000001c78ac3$1470a190$dd282d18@Kevin> Folks: Well, I'd heard MONSTRANCE compared to many different types of improvisation--Eno, Fripp, etc., but here's one that folks hadn't thought of at all--I heard shades of Miles Davis' BITCHES' BREW. Especially on the second disk, all you've got to add are horn parts and it would almost sound like the sessions were meant to be outtakes from the original Miles Davis introduction to fusion/space jamming!! Terrific stuff! Kevin Wollenweber
------------------------------ Date: Sun, 29 Apr 2007 20:14:35 -0700 (PDT) From: Todd Bernhardt <beat_town@yahoo.com> Subject: "We're All Light" is the MySpace song of the week Message-ID: <372775.26553.qm@web32001.mail.mud.yahoo.com> Hi: Over at the XTCfans MySpace site (http://www.myspace.com/xtcfans), the song of the week is "We're All Light. If you want to know what a "pillion" is, or whether or not XTC has ever used an autotuner, check out the XTCfans blog site at http://blog.myspace.com/xtcfans. Don't you know we're all light? Yeah, I read that someplace -Todd
------------------------------ Date: Tue, 1 May 2007 07:45:10 -0400 From: "James White" <jameswhite@gsinet.net> Subject: Rolling Stone's Underappreciated Bands List Message-ID: <003101c78be6$2cbcad10$2201a8c0@DJTY0Y11> Hi, Rolling Stone published a list of "Most Underappreciated Bands" and I was surprised (or maybe not...) that XTC was not on the list. What is interesting is how many times XTC is mentioned following the list in the comments section...check it out at: http://www.rollingstone.com/rockdaily/index.php/2007/04/30/rolling-stones-to p-25-underappreciated-artists/ ~~James
------------------------------ Date: Wed, 2 May 2007 21:26:25 +0000 From: <homefrontradio@hotmail.com> Subject: In Which I Picture Billy Joel playing 'Yakkety Sax' In The Style Of Message-ID: <BAY128-W1B222EB465B690A108B0ED0420@phx.gbl> 'Piano Man' Yeah Ryan, you got me, I unabashedly hate "Baby Got Back": >If you can get past the smut -- and I know it's a >deal-killer for some of you -- this song is every bit >as positive a message from real men to real women as >Billy Joel's (I Love You) "Just The Way You Are." Let's not get carried away here. The difference between the Billy Joel and Sir Mixalot songs is, if you have a romantic dinner with a woman, and you chose the latter as a soundtrack, she'll be dining out on the story for months. Unfortunately, it will be with other men. You'd stand a better chance of getting laid by playing 'Rock Lobster'. The main message might as well be: "I've got a Merc and a Mongrel. You've got a big arse. You'll do!" I've never read a feminist dissection of the song, but i imagine the words 'objectification', 'leering male gaze' and 'exploitation' are used more often than 'positive self-image'. I'm anything but a prude. I'm currently reading a biography of Australian writer and artist Norman Lindsay, and this quote leaps off the page at me: "The richest, and rarest approach to life and art is by humour, and most of all, humour is the key of light-hearted bawdiness". That being said, I might enjoy the celebratory intention of 'Baby Got Back', but loathe the execution. The language is clumsy and amateurish. The internal rhythm and meter of the lines are awkward. If you scan the lyrics, it reads as juvenilia. >Give me a sister, I can't resist her, >Red beans and rice didn't miss her. The latter line there is particularly desperate and internally awkward. As a lyricist, I groan inwardly. If I may indulge in a private joke here: >"You don't say hello >You're making me yellow" You might thinking I'm being too hard on the song, but since it lacks a strong melody, the focus is completely upon the language and the rhyming schemes, and highlights their awkwardness. Jerome Kern and Dorothy Field's "A Fine Romance" has some terrible forced rhymes, (and lines that seemingly exist only to rhyme), but the melody is so masterful it takes the focus off the words. People often say that lyrics don't have to be poetry, or sonnets, but if it's a choice between hearing: "Get on your back Spread your rack Show me your twat Oh baby that's hot Part your beef curtains That's sexy, I'm certain" Or, "Open up your Wonder Annual. Turn on the leaves of your private book. Open up your Wonder Annual and, if I may, can I lay and look?" Then I'll side with the Snakespeare. As to the positive message to `real men' and `real women' statement, it's also a negative message for skinnier women and the men who like them, who are just as `real' as larger framed people. If, as Sir Mix-A-Lot is saying, that big butts are his personal sexual fetish and he uses that as a deciding factor in who he wants to have sex with, (after all, he's not talking about her intellect, her looks, her personality, or even the *front* of her body), then why is that really any less shallow than a man who is turned on by a small butt? Lastly, like any novelty hit, (for it's far more `Dr. Demento' than `in flagrante delicto'), it's status as popular culture means it's inescapable. If you've never wanted to slide under a table and die at a wedding because your `My-Friend-Flicka-faced fifty-year-old four-sheets-to-the-wind' Aunt is shaking her booty in time to the song at a septuagenarian war veteran who obviously needs every drop of blood he has left rushing through his heart, rather than to his nether regions, then you're a luckier man than I. If I ever meet Sir Mix-A-Lot, I'll kick him in the nuts. >Without elitism, there is no place for musicologists. With non-judgementalism, nothing is inspirational.
------------------------------ Date: Wed, 2 May 2007 22:24:42 -0500 From: Chris Vreeland <CVREELAND@austin.rr.com> Subject: Dukes Make-up gig Message-ID: <D81CEBA7-3FFD-4A8F-9968-DC0A32CD4793@austin.rr.com> Howdy from Texas, Unfortunately, the last Dukes of Simpleton gig was cancelled at the last minute due to inclement weather (outdoor venue). The good news is that we have a new date at the same club. So if you're in the Austin area, please join us for 2 hours of live XTC music at Threadgill's World Headquarters, , on Saturday June 9th. We'll be playing from 9pm until 11. Like I announced in my last post, we've got 5 new songs, and a new drummer, who really leans into those Terry Chambers parts. I'm having fun, anyway. We've even got good stock of Dukes T-shirts which we'll be selling at the show, and if I can find the time, I'm going to be setting up to sell them online, soon. Cheers, Chris Vreeland
------------------------------ End of Chalkhills Digest #13-20 *******************************
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