Chalkhills Digest Volume 8, Issue 27
Date: Friday, 3 May 2002
Chalkhills Digest, Volume 8, Number 27
Friday, 3 May 2002
Topics:
Re: really LOUD masters
Idea website
do da do da dum.
remasters, and Newell
Re: Coat
It's Baaaaack!
Aural Eden
Are Lemurs Friendly?
Re: Hidden Tracks
Albert Brown-Corporal Clegg
Shaving Brush boogie
Short-shifted tees
"And you will be my Venus of the stars"
Why don't you just listen...
XTC and Neutral Milk Hotel
Standing up for Harrison? Sure would!
XTC England's Glory
Barrys gem
XTC Infringement Issue
XTC featured in Get Rhythm Magazine
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Princess Margaret going down on the whole damn band.
---------------------------------------------------------------------- Date: Sun, 28 Apr 2002 13:01:22 -0400 From: Keith Hanlon <keith@orchestraville.com> Subject: Re: really LOUD masters Message-ID: <5.1.0.14.2.20020428125801.00af7800@rhino.he.net> At 09:11 AM 4/28/2002 -0700, you wrote: > I almost blew out my >car speakers the other day when my CD changer >switched from the incredibly quiet and >shitty-sounding "Joshua Tree" to the loud and crisp >"Isolation Drills" by Guided by Voices. "Crisp" is too kind... distorted and undynamic is more accurate. I love this album, but I cannot stand to listen to it because the mastering just plain blows. I can't believe that somebody at TVT or Mr. Pollard would actually approve of something like this. If you wanted it to sound loud, the time to do that was during mixdown, not mastering! And when will the U2 catalog get a proper re-release? Dylan? Springsteen? As long as they don't mess it up, I'll be thrilled when they finally re-release those albums on disc. In the meantime, my vinyl is getting worn... Keith
------------------------------ Date: Sun, 28 Apr 2002 11:00:13 -0700 (PDT) From: Tyler Hewitt <tahewitt@yahoo.com> Subject: Idea website Message-ID: <20020428180013.85784.qmail@web14202.mail.yahoo.com> I registered on the Idea website, forum page, but have been unable to login. For seeral months now, I get error messages when logging in. I've even tried re-registering with different name/password, this didn't work either. Anyone have any suggestions?
------------------------------ Date: Sun, 28 Apr 2002 18:11:48 +0000 From: "pop boy" <powerpopboy67@hotmail.com> Subject: do da do da dum. Message-ID: <F216M53WkgU4oEXMcb5000025f0@hotmail.com> Oh God, I can feel the wrath of 'real xtc fans' coming down with all it's might on those of us who don't like a certain album for whatever reasons. Someone has dared to criticise Wasp Star and of course it's their fault that Andy's and Colin's music is too 'witty and deep' for them. Wasp Star is a bore.....end of story. However Im wet with anticipation for the next product to be released from our boys. Apparently Andy whistling into a sock on Mendip Hills and recorded into Binatone tape recorder is only going to be #34.00, but hey, it comes in a lovely box. ho hum.
------------------------------ Date: Sun, 28 Apr 2002 12:01:05 -0700 (PDT) From: Don Share <sharedon@yahoo.com> Subject: remasters, and Newell Message-ID: <20020428190105.76870.qmail@web10008.mail.yahoo.com> Would someone venture a comparison between the sound on the new UK remasters and the recent Japanese cardboard-cover discs? Also, has anyone heard Martin Newell's newest? Any Andy on it?? (Speaking of M.N, if anyone's interested in the Japanese CD version of the "Off-White Album," or the UK "Spirit Cage," e-mail me off-list!) Don
------------------------------ Date: Sun, 28 Apr 2002 15:44:11 EDT From: Poisongold@aol.com Subject: Re: Coat Message-ID: <141.da40474.29fdab0b@aol.com> So... anyone else's booklet fall out yet? grrrrrr... shoddy Virgin... grrrrrr.... MJC wondering what glue is best to use
------------------------------ Date: Sun, 28 Apr 2002 16:40:04 EDT From: Hbsherwood@aol.com Subject: It's Baaaaack! Message-ID: <154.d1bdc0b.29fdb824@aol.com> Folks: I don't know where this rumor got started that there will be a new XTC album released this year, but it is not true. I suggest you stop holding your breath. Andy and Colin have been very busy with the Coat of Many Cupboards and Karaoke projects, and have not been doing much writing. They have no plans to do any recording in the near future, and certainly do not have a completed album in the can or anywhere near it. An amusing reminder of Flapdoodles Past happened recently. Fellow Chalk-o-Lyte Marie-Helene, Onmibus Extraordinaire, alerted me to an interview with Robert "Apples in Stereo" Schneider in which he speaks of the project he has been doing in collaboration with Our Slothful Hero. ( http://www.westword.com/issues/2002-04-11/backwash.html/1/index.html) The article mentions that the title chosen for the project is "Trombone Or" ([sic]: rather fractured French for "golden paperclip," according to the article). Yes, in their man-to-man, no holds-barred transatlantic "collaboration," Andy Partridge and Robert Schneider have decided to call their labor of manly love... Trombone. In French. Alerted by a sharp-eyed correspondent to the thitherto unknown, code-word-intensive nature of the title, Mr. P. laughed very immoderately and agreed that, yes, perhaps he and Robert needed to go back to the drawing board on the title front. Idle thought: Maybe the title was floated by Dave Gregory...? Harrison "Why yes, Partsy, I've got a great idea for a title..." Sherwood
------------------------------
Date: Mon, 29 Apr 2002 01:14:05 -0700
From: "Steve Young" <sjyoung@hotmail.com>
Subject: Aural Eden
Message-ID: <OE30iUsuTtivEa3rTp60000147e@hotmail.com>
I (for one) very much enjoyed Harrison's epic liner essay for COMC, which is
at least verbose enough to be comprehensible. If it seems to meander
ever-so-slightly, as "radiosinmotion" contends, it is only through a crazy
ramblin' love for XTC and its music. It's like the greatest epic Chalkhills
post you never read. Come to think of it, I wish it had been longer...
Which gets me thinking...
I was riding with my friend the other week with the sounds of XTC emitting
discreetly from my car's speakers (discreetly because I don't like to blow
out my friends' eardrums). Anyhow my friend, who [through me] has been
exposed to much XTC and who, for the past minute, had seemed to be deep in
thought, said out loud (and this may be more of a paraphrase): "Steve, you
know, I've come to the conclusion I really don't like XTC."
I stopped the disc and paused briefly then asked her why.
"I guess it's his *voice*. There's two of them, right? Well the guy who
was just singing. There's just something about the way he enunciates the
words, like he's eating a giant sandwich filled with the letter "R" and he's
just so bombastic in his vocal approach, like the dishes and the kitchen
sink and everything are all rattling through his throat. I mean the music's
cool, but I just don't like his voice."
Suddenly I remembered how another person had told me several years before
(in response to a similar query, prompted by a very similar assertion):
"What I don't like about XTC is their lyrics are too trite and obvious."
Your first thought may be, "why do you continue to associate with these
heathens?" But apart from the harsh aesthetic judgements inherent in the
phrase "I don't like" and the word "trite", they may have been onto
something, whether they knew it or not (neither has dived into the catalog
with any fervor). But let me explain.
I think we are here because we most decidedly *enjoy* the on-pitch assaults
of Partridge and Moulding's husky summertime yarls. But XTC has never been,
as the esteemed Mr. Sherwood has recently inferred, the kings of irony and
cynicism and ambiguity. Not *really*. And I mean that, as Harrison did,
with the greatest possible praise.
You can surely point out spots of detachment and pessimism and sarsasm in
the lyrics. But the themes are right there, beating like a heart to the
rhythm of the song, leading the way. They're not generally hidden in
techno-poetic cryptograms (a la Bjork or Radiohead -- musicians I also
appreciate, by the way). Not just content to say "wars are bad" or "love is
good" or "sex is good" (lately an XTC favorite), we are spun yarns of dance
crazes, national monuments, childhood memories, souless skeletons and
scarecrows, and lest we forget those phallic metaphors we love so much...
So to say that so-called "obvious" themes -- whether expressed explicitly or
shielded in elaborate metaphors -- are bad, or to go further, "trite", seems
to me not altogether a given. Now as to the question of Andy's voice, that
is a matter of taste, and whereas one of my roommates and I have our own
exaggerated impersonations of the line "FEEEN-GERRRRRRS" from "Science
Friction" (and countless similar intonations), which we scream to each other
at every opportunity, such madness is birthed out of a love for the music
rather than a desire to ridicule any spectacled Swindonians.
I must also weigh in on the never-ending "endless release" controversy,
i.e., in regards to those upset that XTC are releasing so much back-catalog
and not so much new material.
Apart from the allegedly reckless inclusion of already-available studio
tracks or the multitude of demos that sound much like lower-fidelity
versions of their album counterparts, I cannot find it in my heart to be
upset that "Fuzzy Warbles" may be twelve discs. Or that, like out of a wet
dream, instrumental versions of my favorite songs from AV1/2 may soon be
available to us "hard-cores" through mail-order. Here is the alternative:
these "extraneous" releases are cancelled ("finally, not so much to spend on
unwanted XTC!"), and Andy and Colin sharpen their guitars and head back to
the studio.
But rest assured -- the notebook scribbling, tape recording, and guitar
sharpening is going to occur whether AV-instra or Fuzzy Warbles arrive or
not. I share everyone's desire for new material but doubt that wiping the
current release slate clean (an act which would have deprived us of the many
joys of COMC) will somehow rush new material to our doorsteps.
To those who do not really *want* these titles, but feel compelled to buy
them anyway, just to "have" them: defeat those completist instincts! Your
lack of interest may keep the titles YOU want on the fast track, and us
other freaks and weirdos who *really really want* to listen to
instrumental-venus or wear fifty-dollar uffington horse shirts will have to
surrender to the whims of the market.
Until then, just rub some soothing lotion on your pocketbooks and hope they
re-fill in time for the next project -- "the next project", by the way, is a
concept which makes many of us who lived through the great drought of the
1990s feel like giggling harvest festival children.
With love,
Steve
baroque p.s.: I like "track zero" as a psychological idea. the only
drawback as I see it, beyond the obvious incompatibility issues and the need
to rewind manually all thirteen minutes into the track (for example), is be
the inability to extract said audio for personal compilations.
my reasoning: some audio (whether music or...) belongs outside the realm of
the "listenable album." not to be heard four minutes after the last song,
or couched in the middle, or even flung onto a second bulky disc. it
belongs on the disc but not as part of the normal listening experience, by
which I mean track 1-x and the standard 'beyond' after the last selection.
track zero is the hidden meeting place of the compact disc, to be forgotten
most of the time but then remembered and re-discovered and enjoyed.
now keep in mind -- from a practical standpoint this is all "rubbish", as
they say, but that's honestly the reason I like it.
------------------------------ Date: Mon, 29 Apr 2002 06:25:45 -0700 (PDT) From: Nicole Ross <drmomross@yahoo.com> Subject: Are Lemurs Friendly? Message-ID: <20020429132545.87430.qmail@web14913.mail.yahoo.com> In Response to: "Iain Murray" <Iain.Murray@bigpond.com> Subject: What Sounds Like A Very Friendly Lemur? Who stated that the best way to see the white horse is by air... I guess I agree with you there, but then you'd be missing the wonder of being able to walk by it from its head to its tail. Worthwhile. Also... you stated that you were bad at photography, but the picture you mention with the sign and the two people blatantly disregarding it... well, one was me... JUST KIDDING (ha ha, so predictable)... anyways, sounds like a good picture to me!!! Maybe they should put that on a T Shirt. -Its too early to write a post, Nicole
------------------------------ Date: Mon, 29 Apr 2002 10:51:40 -0700 (PDT) From: John Relph <relph@tmbg.org> Subject: Re: Hidden Tracks Message-ID: <200204291751.KAA34434@mando.engr.sgi.com> <sarcasm> Why hidden tracks? Because they can. Doing weird things with hidden tracks is not a new thing and is not restricted to CDs. I've got LPs with "hidden tracks". You have to manually move the needle to the next groove in order to hear the "hidden track". Yeah, some turntables or record players won't play the tracks automatically. Sucks, doesn't it? I've got some records that have pictures etched into the surface of the vinyl, and a "hidden" track in the middle. You don't want to "play" the picture, or your stylus gets trashed. Gotta manually move the needle to the "hidden track". Oh, yeah, what about those records with multiple parallel grooves? There's a Monty Python record like that. It's a mystery which groove you'll get when you set down the needle. What a pain! And how about those repeating messages in the inner groove? If you've got a turntable that automatically picks up the arm when it gets to the center, then you don't get to hear those inner groove grooves. That's just not right. Why do people do these things with records? Because they can. </sarcasm> -- John (not having a good day)
------------------------------ Date: Mon, 29 Apr 2002 14:22:50 -0700 (PDT) From: DANIEL B <alteration_x10@yahoo.com> Subject: Albert Brown-Corporal Clegg Message-ID: <20020429212250.16369.qmail@web14204.mail.yahoo.com> Has anyone noticed a connection between Pink Floyd's "Corporal Clegg" and albert brown from the dukes?I wonder if that song had an influence on albert brown. Lyrically, i think they are very similar...
------------------------------ Date: Tue, 30 Apr 2002 08:37:02 +0930 From: "Van Abbe, Dominic" <dominic.vanabbe@au.faulding.com> Subject: Shaving Brush boogie Message-ID: <5530EE3B220DD511BC0F0002A52C44801D2EDD@e-mulgrave1.faulding.com.au> Hi Folx, Has anyone who has managed to listen through the two "bonus tracks" on Coat Of Many Cupboards noticed there are a couple of judiciously censored bits in "Shaving Brush Boogie". It appears the swearing presented no problem (one listen to the humourous studio banter on "Wanking Man" will confirm this). No, it's more the Regal person being referred to at this particular point of the jam. Unless they've recently been amended, check the Shaving Brush Boogie lyrics on Chalkhills for the full transcript, and you'll see what I mean..... Cheers, Dom
------------------------------ Date: Mon, 29 Apr 2002 18:39:46 -0700 (PDT) From: "J. Randles" <naciohb@yahoo.com> Subject: Short-shifted tees Message-ID: <20020430013946.39827.qmail@web14505.mail.yahoo.com> Delurking for a moment to add my (unneccessary) thoughts to the beginning T-shirt topic. From: Tyler Hewitt: "I know t-shirts at concerts are often that much, but dammit, I'll pay 25 bucks for a t-shirt ONLY at an XTC concert! Get Andy and Colin on a tour, and I'll buy my shirts then!" Hear, hear! It's somewhat hard for me to justify that much for a shirt that I have the know-how and capability to produce for much less (well, anyone with the right kind of paper, a color printer/copier and an iron has the capability- or just go to a copy store, they usually can do it). Get out on the road, boys, and make your T-shirt money there. I'll be the slouch on the side of the road, selling interesting bootleg tees to pay my tuition. ;) From: Jeff Eby: "now that the designs have been revealed I'm a bit surprised. I really doubt anyone said. "Oh, just plop the square album art on a white tee, that'll do." <snip> "I want an XTC-tee but please say some even slightly more elaborate offerings are on the way. Color tees at least?" Agreed!! This is the main reason I'm not interested. What boring design work! Yes, the album covers are, in themselves, fascinating, but the pathetic nature of the design greatly decreases their effectiveness, IMO. Hopefully, the English Settlement fleece (or whatever it is) will be green, like those 'Hills shirts long long ago. ;) It doesn't even look like there will be anything on the back of the tees... no song lists or photos? Is this *really* worth anyone's money? Speaking for myself (as I continue to ramble on), I have a series of my own designs in the works with quotes and images that I may produce one day- limited edition of one each. Perhaps being an artist does have its perks. *wonders if this will harped upon by anti-bootleg factions* Jennifer, just another fabric artist on the i.r.t.
------------------------------ Date: Tue, 30 Apr 2002 10:53:29 +0000 From: "Paul Culnane" <paulculnane@hotmail.com> Subject: "And you will be my Venus of the stars" Message-ID: <F193ZyabYTHrdusluCB000057bc@hotmail.com> ...well, on the whole, COMC is pretty good, ain't it? I refuse to comment on the actual musical content, until I've had a chance to absorb it all properly, summat I'm engaged in as I write this on a Tuesday evening. But a coupla peripheral (but important) considerations to comment on, if I may (now that the "spoiler" period might have died down somewhat): 1) The mastering. It sounds so bloody good overall. The fresh mixes done recently by XtC themselves, sound detailed and vital. The others, even including Colin's sometimes anaemic and tinny-sounding demo sketches, come up really well with Ian Cooper's sonic fairy-dust. But Mein Gott! (Ben Gott?), it's friggin' loud. It sends the meters on my system well into the red, and to listen to this series of CDs in my new, more restricted pad, requires judicious and polite use of the vol knob. 2) The presentation. Ever since the get-go, with the 3D-EP, XtC have continually wrapped their music in a parade of really interesting, entertaining, and at times breathtakingly beautiful sleeves, covers and general visual "concepts". The practice continues to this day. Witness the recent spate of "Apple Venus" art. The fantastically apropos treatment for "Transistor Blast" is another example. But man, "Coat Of Many Cupboards" takes the absolute cake in the design department. I can only suggest Bowie's "Sound + Vision" or Floyd's "Shine On" sets to vie for such positive and creative exploitation of the box set design medium so effectively. Now, as you open the cupboard door for disc four, what do you see? It's Andy's hand outstretched over Dave's shoulder, right? I theorised to my friend that it was a nice pic to start with (taken around "Nonsuch" time, I suspect), but that it symbolised AP reaching out to DG in some way. What do you think? Mind you, my cynical friend said it represented the arrogant Andy trying to hold Dave back. Hmmm. Food for thought, but don't read too much into it. As it is, I'm gonna go now to disc 2, replete with hidden track "The Ballad Of The Wanking Man", which thankfully I can access. Enjoy everybody. Look, whatever COMC's shortcomings, and there are bound to be a few with a box set of such scope, it's still a delight and now I'm gonna go and indulge it. Not much chat about the actual *music* here; save that for another time. paul "I want to be a fireball" culnane SELF CONTROL STUDIOS Canberra, Australia
------------------------------
Date: Tue, 30 Apr 2002 08:25:28 -0700 (PDT)
From: milo fadite <milofadite@philipkdick.com>
Subject: Why don't you just listen...
Message-ID: <20020430152528.7612236F9@sitemail.everyone.net>
Hello "chalkfolk" or whatever...
don't you get bored with all this idle chat...
I have a better idea...
Go out, meet people, introduce them to XTC- you'll be doing a great service!
seriously, come on... specific brand of minidisc for yr XTC
stuff... Good God... look, just stick Mummer on and realise what the
important thing is... it's what you listen to... better still, stick
It's Nearly Africa on, maybe you'll realise what i mean when that
crazy Um Bongo bit comes in, it gives me such a rush... i can't go
near a computer keyboard after that, but people... well, i have to
seek out some XTC virgin or naive and just say "listen to this"...
Please, please, remember... it's the sounds, the sounds are what's
important... not whether yr Coat of Many Cupboards smells of shit or
flowers... and one last thing, try falling in love to a soundtrack of
XTC... you won't regret it!
much love you crazy chalky guys,
please, just for an album or two, switch off yr computer and listen-
and hey! sorry if i cause any offence...
Milo Fadite XXX
------------------------------ Date: Wed, 01 May 2002 00:55:54 +0200 From: "hans stromberg" <hansstromberg@hotmail.com> Subject: XTC and Neutral Milk Hotel Message-ID: <F68MmOlbcrYP0QzBxhJ00006321@hotmail.com> There is a straight connection between XTC and The Neutral Milk Hotels album "In the Aeroplane over the Sea" (Merge Records, 1998), a record that is totally amazing and one of the best I've heard for years. It has been described as a "Sgt. Pepper with early 90's lo-fi", though I believe no description can do justice to this record. The following is notified in "What's new?" on Chalkhills: "The Los Angeles Times reports: `XTC's Andy Partridge, having been sent CDs of the band Apples in Stereo by singer (and XTC fan) Robert Schneider, liked what he heard so much that he called Schneider, and now the two are co-writing songs for a Schneider solo album [Orchestre Fantastique], due in the spring.'" Now, Neutral Milk Hotel is part of the Elephant 6 collective together with other bands, among them Olivia Tremor Control and Apples In Stereo. The collective has it's origins in the small town of Ruston, Louisiana and was formed by a group of childhood friends who shared a love for music no one else seemed to know about (XTC!?). Schneider was the one that helped Jeff Mangum with the first NMH record, "On Avery Island", and "In the Aeroplane over the Sea" was recorded at Robert Schneider's "Pet Sounds studio" in Denver. The album has been mentioned once before in Chalkhills by d. Taylor Singletary, 22 Mar 2000: "One of the best folkpopfuzz albums ever made. The words are great. The singing is great. The songs are great." I agree, though I could easily live without the word "folkpopfuzz". The singer and songwriter Jeff Mangum shares a lot with Partridge; for example their ingenious ability to create songs and lyrics that lasts more than just a few days or weeks. It wouldn't surprise me at all if Andy has listened to Aeroplane, and if he has he probably likes it. A lot. Ciao, Hans Stromberg The North Pole hansstromberg@hotmail.com Read more on: http://www.elephant6.com/bands/neutral.html http://www.cnd.gatech.edu/neutral/ http://sadtomato.net/NMH_frame.htm "When we meet on a cloud, I'll be laughing out loud/I'll be laughing at everyone I can see/Can't believe how strange it is to be anything at all"
------------------------------ Date: Tue, 30 Apr 2002 18:09:19 -0700 (PDT) From: Jim Smart <jimsmart1@yahoo.com> Subject: Standing up for Harrison? Sure would! Message-ID: <20020501010919.38932.qmail@web13509.mail.yahoo.com> Walky Chalkies: Gasp! Criticism of Harrison's essay! First of all, while we have known and loved Harrison's messages here, we must realize that here is here, and there is there. Liner notes on a CD are forever. Chalkhills digests are pretty disposable, mostly. The audience is different there (perhaps). Here he can interest in the latest weird web link he found (from the origins of Wasp Star to edible Christian underwear) and generally "go off", while on a CD liner notes, he can't, or at least not as far off. And if you think it's too long, there's a Paul Simon lyric, something about "short little span of attention" waiting for you on the Graceland album. I think the real problem here is that his involvement in this project, and friendship with the band, have curtailed his writing here. Has this changed the Hill forever? Come on, Harrison! Let loose here like ya used to! And as far as T shirts, instrumental albums, et al, I personally won't be buying those things, because I think they are too expensive for what you get. It's great that they are being offered, but to each his own. I agree with the Chalker who said he'll buy a tee when when they tour. Finally, I would like to make a confession. Heretofore I have been an orangey sky apple nonsuch snob. I have cherished the latter stuff and been mildly amused by the "Terry stuff". But the Coat of Many Cupboards has opened the doors for me. I am swooning for the early stuff. I've always liked Black Sea and English Settlement, but now all I want to hear is the Barry stuff, loud. I am healed of my snobbery. Hallelujah! OK, back to my cupboard, Jim
------------------------------ Date: Wed, 1 May 2002 14:02:47 -0700 From: "Wesley Hanks" <whanks1@earthlink.net> Subject: XTC England's Glory Message-ID: <000c01c1f153$8c0fa660$4b40ad41@earthlink.net> Friends of the Maypole, The lost XTC Yahoo club, xtcenglandsglory has finally resurfaced as a Yahoo group under the same name. Two XTC groups! Huzzah! http://groups.yahoo.com/group/xtcenglandsglory And, the latest group, Wonder Annual http://groups.yahoo.com/group/wonderannual Best, Wes
------------------------------
Date: Thu, 2 May 2002 10:12:04 EDT
From: OMBEAN1@aol.com
Subject: Barrys gem
Message-ID: <e.1e5b3386.2a02a334@aol.com>
yo,yo,yo.
I'm here to put out a warning about listening to "Us Being Us" while
driving.
Damage may occur to your steering wheel or dashboard while this song is on.
Also there is a good chance you may get pulled over for speeding or driving
recklessly.
That f 'ing song f ' ing ROCKS!!!!!!!!!!!!
I would have given my two family jewels to watch Terry drum on that song.
Thats all.
Roger
" Honesty. Don't believe the hype." -- Ray Romano
------------------------------ Date: Thu, 02 May 2002 14:01:28 -0400 From: "Daniel DuBray" <dubray@msn.com> Subject: XTC Infringement Issue Message-ID: <F39kK5LqN33HFnwpGR80000d43e@hotmail.com> Mr. Wayne V Shevlin Director of New Media Development Virgin Records Ltd Dear Mr. Shevlin, I am deeply troubled by the brazen infringement of the trademark of your artist, XTC, in an advertisement on page W8 of today's (May 2, 2002) New York Times. The advert, sponsored by the U.S. Government's drug control policy office, is intended to provide public information about the epidemic of the drug 'Ecstacy' yet it directs readers to call a toll-free telephone number: "1-866-XTC FACTS". I assume callers will not receive any information about the band from Swindon. XTC fans have been annoyed through recent years by the confusion that has been created by the proliferation of this drug -- an epidemic which has occurred many years after the band's most prolific period with your organization. In one U.S. state, for example, complaints by citizens about a vanity automobile license plate with the slogan "XTC FAN" resulted in the state revoking the plate, under the guise that the driver was some sort of drug fiend. Now, under the umbrella of formal U.S. Government policy, this infringment and the growing confusion is being formalized. In the interests of protecting your copyright claims, you should demand this issue be rectified immediately. Please forward to your legal division and all relevant departments my concern about this issue. I know you share the wishes of many of us -- the loyal fans of XTC -- that this confusion be corrected. Sincerely, Daniel J. DuBray DuBray@msn.com
------------------------------ Date: Thu, 2 May 2002 20:18:29 -0500 From: Brown <i.sundog@verizon.net> Subject: XTC featured in Get Rhythm Magazine Message-ID: <20020503011829.MDQG13798.out017.verizon.net@darkstar> Over at the XTC Idea Records forum, someone posted a heads up on an article about XTC in the latest issue of Get Rhythm mag: http://www.getrhythm.co.uk/outnow.html I thought you kidz might like to know!
------------------------------ End of Chalkhills Digest #8-27 ******************************
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