 Keeper of the Bees |
Robert Wegmann Strong power pop in a
mixture of styles reminiscent of Peter Gabriel, King Crimson, XTC and The
Beatles, Robert Wegmann's brand new album Keeper
of the Bees takes one on a trip across the musical universe of
pop. If you buy today, you get a special limited edition Keeper of
the Bees comic book! |
 Eleven Modern
Antiquities |
Pugwash Pugwash now have a brace of lovely
ornate pop records, obviously inspired by Beach Boys, Beatles and, of
course, XTC. So inspired by XTC, in fact, that Andy Partridge has
co-written songs on both albums and Dave Gregory, ex-XTC, is also
featured on both albums. Dave Gregory also performs on the Pugwash (and
Friends) Christmas song entitled “Tinsel & Marzipan”.
What does this mean for you? It means that you're missing out unless you
listen to these records! Get Jollity and Eleven Modern
Antiquities today! |
 Johnny Cake and
Moonpies |
Marmalade Army Marmalade Army's album
Johnny Cake and Moonpies is two-thirds a loving pastiche of the
psychedelic era, as you might expect by its psychedelic cover, invoking
The Beatles, Doors, Beach Boys and more. Faux psych singles are
interspersed with period instrumentals, including one you'd swear was "I
Dream of Jeannie". But the other third of the album is pure pop,
including at least one track obviously under the influence of XTC. The
title track is eminently hummable (otherwise known as an earworm). If
you like Two Lips or Greetings From Planet Love, chances
are you'll enjoy Johnny Cake and Moonpies. And dig the
anachronist guitar solos. |
 Interstellar Appeal |
Anthony Setola Funky. Jazzy. Music to
bake pies to. Anthony Setola covers “Chalkhills and
Children”, as well as Sly and the Family Stone's “If You Want
Me To Stay”. He also played bass on The Deuterium Kidz' cover of
“Holly Up On Poppy”. Check him
the funk out. |
 The Automatic Door |
Anton Barbeau Anton Barbeau is living the
pop dream. He hails from Sacramento, the capitol of California, the
center of the Central Valley and, should I mention, one hot place in the
summertime. Anton released a few records, hooked up with the Loud Family
and The Bevis Frond and made records with both, and is now apparently
living in Oxford, England, much of the time. His latest, The
Automatic Door, featuring the vocal work of Su Jordan (bass
player and vocalist for Oxford's Inflatable Buddha), is a lovely poppy
surreal effort. Recorded in Oxford, Sacramento, and (the horror!)
Cambridge, the album also features the guitar work of Kimberley Rew.
Give it a spin. |
 Ants and Angels |
Peter Murray Peter Murray was a member of
The Simpletones, the XTC cover band that performed at the 1991 XTC Music
and Friends Convention in Barrie, Ontario. Peter Murray recorded a
reggae-flavoured cover of “Ladybird” for the Obscene
Collection XTC cover cassette. Peter Murray wrote an article about
Colin Moulding for Bass Player magazine in 1999. Now he's
released his first solo album. This is Pop! |
 THX JHN |
Johan I would love their debut album Pergola merely for the sound of the bass guitar
in the first track: the best of John Wetton's distorted sounds on King
Crimson's Red. But there's lots more to like about the album.
Great vocals, varied styles, excellent songwriting. You'll think you
remember Pergola from your childhood, but it's
déjà vu all over again. Johan's new album THX JHN arrived on 22 May 2006. More good
sounds and an excellent video to boot. |
 Calling Distance
Stations |
The
Nines I liked their first CD, Wonderworld Of
Colourful, the first time I heard it, and I liked it more and
more each time I listened to it. It sounds like XTC's Nonsuch
meets Fountains Of Wayne with a splash of Brian Wilson. Except that the
production has a bit of grunge and a splash of lo-fi (so now you know
they've got some street cred, too). But really, words don't cover it.
Their followup, Properties Of Sound, is just as good. Now
they've released Calling
Distance Stations, which includes a song co-written with Andy
Partridge. They're fun live, and nice guys, too! |
 Purple Burt |
Mitch Friedman Mitch Friedman's albums
Fred and The Importance of Sauce are silly and irreverent.
But only on the surface. The mirror monsters Love and Disillusionment
rise from the depths. Fred gives us a lot to chew on. On Mitch's
new children's concept album Purple Burt, Andy Partridge co-writes
a song and plays some guitar; other guest stars include R. Stevie Moore,
Krys O., Dave Gregory and Anne D. Bernstein. |
 More Than a Day's
Work |
Dane Petersen More Than a Day's
Work is a mini-album of original songs, stylistically somewhere
between XTC, The Beach Boys and early Todd Rundgren, but with a more
modern bent. Recorded with members of Chomsky, the album also includes a
cover of “Ballet for a Rainy Day”, originally recorded for
the King For a Day XTC MP3 tribute,
but remixed for this album. These are catchy tunes! |
![Tape Recorder [Collected Works]](../Art/product_yazbek.gif)  Tape
Recorder [Collected Works] |
Yazbek How to describe Yazbek? I won't!
Suffice it to say that his albums Tock and The Laughing Man are excellent (and both
feature guest appearances by Andy Partridge). Yazbek also wrote the
songs for the Broadway production of The Full Monty (and got totally robbed of a
Tony for his trouble). If you're not sure where to start, try Tape Recorder [Collected Works] , which contains
songs from the albums above as well as from his recent album Damascus . You can't go wrong! |
 Will |
The
Sugarplastic Will is a future classic. Will belongs in every serious collection. Will will astound you with the strength of its
songwriting and the depth of its aural palette. Will acknowledges hyperbole. Will delivers. |
 Dog |
Mike Keneally Mike Keneally is my nominee
for the Artist to Follow in Frank Zappa's Footsteps. His album Dancing features wildly stylistically varied,
awesome musicianship, a great sense of humor, but overall, amazing music.
It will have you Dancing. Mike Keneally's latest is entitled Dog. |
 The Wonder of it
All |
Louis Philippe Louis Philippe's music has
been described as “filled with a rich tradition of baroque pop
orchestrations, mixed with subtle vocal harmonies, in a way that owes a
lot to some of the 60's influences that everyone's faking homage to these
days”, except that Louis has been doing it for nearly 20 years!
His recent album, The Wonder of it All, conveys “a greater
sense of intimacy, but grandeur too”. Louis also produced
Martin Newell's excellent The Off White Album , and Dave Gregory plays on
a number of Louis's albums, including My Favourite Part of You, Jackie Girl and Azure (the latter album features Louis's
heartfelt rendition of Andy Partridge's “I Can't Own
Her”). |
  The Light
Programme |
Martin Newell Andy Partridge produced
Martin's album The Greatest Living Englishman , Dave Gregory
played on The Off White Album , but does that matter? No.
Martin Newell is an excellent songwriter, poet and performer in his own
right. The Light Programme is a stylistic departure
for Mr. Newell. This album finds him in a quieter, jazzier, more
“adult” mode. Don't worry, his lyrics are incisive as ever.
(You might also be interested in The Cleaners From Venus: Live In
Japan (Osaka 1994) featuring Dave Gregory on guitar.) |
 Conscientious
Objector |
R. Stevie Moore Melody Maker says,
“R. Stevie Moore has been producing smart idiosyncratic and
distinctly personal pop music at an alarmingly prolific rate for nearly
20 years.” Conscientious Objector certainly fulfills that
description, especially in the idiosycratic department. And it features
a couple of stunning tracks, especially the rockin'
“Subjectivity” and “Social Studies Buddies”. Be
warned, however! RSM is not for everyone. |
 Axioms |
Impossible Recording Machine I'm not quite
sure how to describe Axioms, because it veers wildly from nearly
pop to nearly ambient. It is clear, however, that this album was made by
a drummer. Matt Walker (Filter, Smashing Pumpkins et al), a long time
fan of XTC, got together with Jim Dino to make an album that, for me,
defies categorisation. It is, however, a great album to play while
working, relaxing, or, dog forbid! while listening. |
 Superimpose |
Brian Lovely I received Mr. Lovely's CD in
the post and I admit I expected little. I also admit that it hasn't left
my player since! Mr. Lovely can write, he can sing, and he can
play the guitar. Though at times reminiscent of Black
Sea-era XTC, at other times reminiscent of Queen and Justin Clayton,
this is good old middle American power pop just the way I like it. I
love the guitar solos, but they are wrapped in hummable pop songs with
subjects from the silly to the sappy to the sublime. Get it. |
 God's Empty Chair |
Becki diGregorio Becki's most recent CD,
God's Empty
Chair features appearances from both Dave Gregory (formerly of
XTC) and Lyle Workman (Todd Rundgren, Frank Black, Beck). Andy Partridge
wrote a song for the album. Becki says, “the music is a mixture of
rock and heavy-pop, with a touch of psychedelia and middle-eastern
influences nestled in between.” Her debut album, seven
worthies . . . of the bamboo grove, also features
the talents of Dave Gregory. |
 Meaningless |
Jon Brion Longtime XTC fan and Aimee Mann
collaborator released a solo album. Just one. You gotta have this
rekkid and you gotta go down to the Largo in Los Angeles on a Friday night to see this
guy. Believe me. |
  Six
Songs of Good and Evil |
Duncan Watt Recipe for contemporary adult
pop: start with some Randy Newman, add a generous helping of Elvis
Costello, flavour with a pinch of Tom Waits, dust lightly with XTC. Et
voilà! |