XTC
Quite possibly my vote for most underrated band ever, XTC has been around
since this mid-70's creating some of the most creative pop/rock the world has
probably never heard. Every now and then, they have scored a minor hit in the
US (their most famous was 1986's "Dear God", followed by "Senses
Working Overtime" and "The Mayor of Simpleton"), but for the
most part they have been a cult band. The most obvious band to compare XTC to
are the Beatles, and not just because I think they are that great - XTC's music
is nearly 100% Beatles inspired, with a more modern twist, of course. It is
surprising they have not had more mainstream success, though; their music has
always been accessible despite its complexity. I highly recommend that everyone
check this group out. Stupidly, TMBG's song "XTC vs. Adam Ant" got me
to check them out.
English Settlement
(8/10)
Although this is something of a transition (this album marking XTC's transition
from New Wave punk to more pastoral Brit-pop), it's a pretty good album in its
own right. All three singles ("Ball and Chain", "Sense Working
Overtime", "No Thugs In Our House") are top-notch, and many
album tracks subtly catch the ear after a few listens ("Jason and the
Argonauts", "Yacht Dance", "Knuckle Down"). Andy and
Colin make one major misstep each. Andy's is the very awkward "It's Nearly
Africa", which sounds more like a spoof of African tribal; Colin's is the
buzzing "Fly on the Wall", which is as irritating as the insect
narrating the song. Without these two tracks, each song has at least one thing
great about it, often more.
The Big Express
(7/10)
The fact that this is my least favorite XTC album that I've heard says just how
much I love these guys. It is the worst because the material isn't consistent
throughout. A couple of songs in the middle (not so surprisingly, the bonus
tracks), "Blue Overall" and "Red Brick Dream", fall flat on
their face while the closer "Train Running Low on Soul Coal" gets
kinda annoying. Those aside, the album kicks ass. "Wake Up" features
a guitar riff used almost as percussion, "Seagulls Screaming Kiss Her Kiss
Her" instantly brings to mind a gloomy day at the beach, and "This
World Over" is the best song the Police never wrote. You may want to
start with a different album, but this is by no means a bad purchase.
Skylarking
(8.5/10)
Often considered by the critics to be their best album, Skylarking has
recurring themes of nature and the life cycle. Many of the songs have melodies
and lyrics dealing with this. The album flows astoundingly well and production
is wonderful, especially for an album the band was disappointed with when it
first came out. Can't point to any specific standouts other than their skeptic
anthem, "Dear God", but that's only because it feels out of place (it
was tacked on). This album works better without standouts anyway; it feels like
a song-suite, as cliched as that sounds.
Oranges and Lemons
(9/10)
Missing the thematic unity of Skylarking, but the songs on this album are
consistently better. "The Mayor of Simpleton" and "King For a
Day" are two of my favorite songs ever - both couple extremely infectious
guitar melodies with clever lyrics, and the album closer, "Chalkhills and
Children", is a near-psychedelic trip with unusual structure and melody
and colorful, descriptive lyrics. From start to end, there is something to love
in every song, except the plodding "Here Comes President Kill Again".
If you like the band's latter day work, you will love this album, but newcomers
shouldn't start with it.
Rag & Bone Buffet
(6.5/10)
If you're willing to do some digging through this 24-track B-sides and rarities
compilation, you'll find plenty of lost gems. The beautiful "Mermaid
Smiled" (kicked off of Skylarking to make room for "Dear God")
somehow combines acoustic guitar, vibraphone, and bongos to create something
resembling the sea, the funky "Extrovert" has an un-XTC-ish horn
kick, "Thanks For Christmas" has some unpredictable and unbelievably
pretty chords in it while still is as accessible as any Christmas song, and
"Too Many Cooks in the Kitchen" is one of the quirkiest and silliest
songs ever. But for every minute of good song there is half a minute or more of
unfinished sound garbage, making this a very uneven listen.
Nonsuch
(9.5/10)
What Skylarking was to Sgt. Pepper, this album is to the Beatles' White Album.
It has a sprawling assortment of songs and no real connection between them.
This may prove frustrating for a few listeners, but I think most people will
just enjoy the variety and top-notch songwriting that this album has to offer.
"Peter Pumpkinhead" is a power-pop rocker that will undoubtedly get
your head bobbing; "My Bird Performs" is breezy and laidback guitar
pop; "The Disappointed" is Beach Boys-inspired goodness set to a
shuffle beat; "Crocodile" mixes country, rock, a ratchet, and clever
metaphorical lyrics to awesome effect. This continues for a total of 17
wonderful songs. Buy this album!
Upsy Daisy Assortment
(10/10)
When XTC were at their best, they were unbelievable. I love their albums and
regard them very highly, but I always felt their best songs had an impossibly
high quality to them. That's why this collection works so amazingly. It
captures their best moments and crunches them onto one disc. While I must admit
I don't listen to this album now that I own most of the proper albums, this
album simply cannot be beaten in terms of quality and accessibility and serves
as the perfect introduction to the band despite a few not-so-obvious selections
("Seagulls Screaming", "Earn Enough For Us").
Apple Venus Vol 1
(8.5/10)
Sigh...another amazing XTC album that will get bought by about a dozen people.
This album was the long awaited return for XTC after seven years of no new
material (they had some problems with their record company), and I think it's
great. They even decided to use a daring new approach; every song is a mix of
acoustics and orchestra. The album consequently has a very natural, pastoral
feel that immediately recalls the greener moments of Skylarking. This set is
just slightly weaker than Skylarking, but the unity is there. Highlights
include the lush "Easter Theatre", peppy and folky "I'd Like
That", and grand "I Can't Own Her".
Wasp Star: Apple Venus Vol 2
(7/10)
While this has one of the lowest ratings on here, this might be the place to
start for neophytes. The songs on here seem suited for today's alt-pop
generation. Don't assume this means XTC has sold out or anything; this is
definitely an XTC album. But songs like "I'm the Man Who Murdered
Love", "Playground", and "Stupidly Happy" (which
sounds a bit like Third Eye Blind's "Never Let You Go") come the
closest to alt-pop this band ever has, both utilizing alt-pop-ish riffs and
progressions. Those songs still sound great, but they just aren't as complex
or inventive as the XTC of old, or even the XTC of Apple Venus Volume 1. For
this reason, the album merely gets a good rating. The few songs that are
inventive unsurprisingly became my favorites: "My Brown Guitar" uses
strange verse chords and a bouncy chorus, and "You and the Clouds Will
Still Be Beautiful" with its tribal rhythm and honest, heartfelt lyrics is
very freeing and bright.
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